This discussion revolves around the controversy of correcting mistakes in films during restoration processes. Some commenters argue that altering original film mistakes constitutes revisionist history, akin to changing essential elements of artistic expression. Others believe that fixing minor errorsâlike visible modern items or inconsistenciesâdoes not compromise the artistic integrity, comparing it to correcting typographical errors in written works. The dialogue covers various examples from movies, highlighting personal experiences and preferences towards original versus edited editions of classic films. Notably, there is a strong sense of nostalgia and reverence for original works, indicating a divide among film enthusiasts on what constitutes acceptable restorations.